>>148506575I get it that the content of your character built by your environment and education influences the quality of the mixture you're pouring from your being to form your story, that decides the inertia and direction your craft will take. But even for those people, even knowing the background and social circle and culture of the guys doing the script I'm astonished at the direction the project took. It ain't a one person work strictly speaking, there's a whole cohort of people breathing at V's neck, standing behind her shoulder, giving advices and so on and so on. And yet the result blows a wind of pungent months-left-under-the-sun corpse' smell capable of outclassing the most foul carrion piles. Any random fuckers found in the most depraved corners of the internet come up with better setups for HH in minutes between two shitposts, starting from scratch or using the pilot as the cementing base idea.
And the people paid to work on it make this?
Is it a generational gap really or is it intentionally bad to lower everyone's standards? I can't fathom it. It's the Murphy's law applied to every episodes.
And why am I so pissed one will ask? Because all other parts are fine, or decent at worst, some even excellent like the musicals. Then all gets spoiled by a gang of blue haired niggers writing the lamest shit you can think about and then you have to pause an episode five, six or seven times before you reach the end so you can avoid overdosing on the CRINGE.
With all the cash flowing can't you faggots hire a competent writer? Even now as the plot is supposedly progressing I see how it's mostly an illusion of movement. Main characters carry pesky, flimsy motivations, schemes and plans fall flat with nothing to show for all that build up, there ain't anything behind it it's like those Chinese buildings that are hollow and for show.
Worse, if you foolishly run your brain to think about what the characters are doing or the setting it falls apart.
