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Since the Japs consider western cartoons as anime we can have a blue board friendly Ojamajo thread now. 2chan doesn't have a western cartoon so it's fair.
mods if you read this it will probably be mass reported and I'll gladly take the 3 day ban until we can talk about older anime here, it would bring new life into the board
SINCE THE RETURN: >Stolasfag is back spamming threads and having a breakdown >Birchy and Kuckyweck are back >Gwenschizo/Polish childrape fag is having a mental breakdown as well, spamming/making threads >MCUfag keeps making threads and has been more active than normal >Guy has been popping up here and there >Horrorfag is back >Industrycuck is shitting up indie cartoon threads
Can someone please explain to me why they’re all acting up at one time? What about the shut down caused this? Why can’t this board have normal discussions about comics and cartoons without these fags?
Just as a reminder that Cocomelon is "huge" enough that it caused India (the country that makes it) to get a larger GDP then Japan and now has the money to do things like Cameo for no reason other then to show that India can compete with the US and China.
Just be glade that Cocomellon is only "popular" in India and the middle east and that the west, Japan, South Korea, Hong Kong, Macao and Taiwan avoid this this as all they do is boycott it and instead watch Game Sack, LGR and The 8-Bit Guy.
[spoiler}Now if Japan started to make anime for normies again and not just rely on the long runners and not just make anime for geeks and nerds[/spoiler:lit]
So how will this effects cartoons and animated movies? Will there be stuff that gets grandfathered in? Basically anything animated has help from overseas studios
>Kyle Bradstreet, a writer and executive producer on USA Network Emmy winner MR. ROBOT, had been working on the scripts for SECRET INVASION for about a year when he was fired after Marvel decided on a different direction. Enter new writer Brian Tucker, who penned the crime thriller BROKEN CITY. Thomas Bezucha, who helmed the thriller LET HIM GO, and Ali Selim, who worked on Hulu’s 9/11 drama THE LOOMING TOWER, were on board as directors and to help crack the story.
>So far, so normal, at least by Marvel’s creative development standards. Details are murky, but what happened next, in the summer of 2022, debilitated the production as factions became entrenched and leaders vied for supremacy during the show's pre-production in London. “It was weeks of people not getting along, and it erupted,” says an insider.
>The company dispatched Jonathan Schwartz, a senior executive and member of Marvel’s creative steering committee known as The Parliament, to get SECRET INVASION back on track when it was falling behind schedule and on the verge of losing some actors because of other commitments.
>By early September, a good portion of the show's team had been replaced, with new line producers, unit production managers and assistant directors. And Bezucha, who was supposed to direct three episodes, left the show because of scheduling conflicts. The Marvel executive overseeing the show, Chris Gary, was reassigned and, according to sources, is expected to depart Marvel when his contract is up at the end of the year.
