Quoted By:
Donations to the archive would be appreciated to help fund our server hardware & storage drives. We are looking for developers to help build new software and archives, discuss here.
Quoted By: >>122937532 >>122937659
Who the fuck listens to this crap unironically
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holy shit
!5OMlRCx8Q.
Quoted By: >>122937149 >>122937231 >>122937647
At what time did you lose respect for Scaruffi?
Quoted By: >>122937463 >>122937587 >>122937643
>"Oh wow you are so into music haha,
>"yeah its kinda a big part of my life"
>"so what instrument do you play?"
>"oh... actually I don't play an instrument..."
>"..."
>"..."
>"..."
How do you get up in the morning without killing yourself /mu/?
>"yeah its kinda a big part of my life"
>"so what instrument do you play?"
>"oh... actually I don't play an instrument..."
>"..."
>"..."
>"..."
How do you get up in the morning without killing yourself /mu/?
Quoted By: >>122937271
- no song mode
- no resampling
- 64 mb, non-expandable
- quality control issues galore
- hums when you use a power supply instead of batteries
- doesn't show up as a drive when plugged into a computer. only way to load samples onto it without recording them is through a mandatory sample manager that is basically just a slow and buggy website that could go offline at any moment without notice
- if you're going to record samples into the machine, you have to use both hands to press and hold two buttons for the duration of the recording
- samples can be a maximum of 20 seconds
- only 4 effects, they're all kind of shitty and only 1 can be applied to each track + the master bus
- up to four tracks but no way to export them separately without just recording them individually one by one despite having a USB port
- no way to export MIDI or CC data
- indecipherable UI because weird display. sample editing especially suffers due to this.
are…are people only buying it because it's pretty to look at? literally the only two positives I can think of are the cherry switches and Lego compliance. for just a little more money you could get an SP404 which blows the KO II out of the water in virtually every metric outside of cosmetics. who is this for? why is it so popular?
- no resampling
- 64 mb, non-expandable
- quality control issues galore
- hums when you use a power supply instead of batteries
- doesn't show up as a drive when plugged into a computer. only way to load samples onto it without recording them is through a mandatory sample manager that is basically just a slow and buggy website that could go offline at any moment without notice
- if you're going to record samples into the machine, you have to use both hands to press and hold two buttons for the duration of the recording
- samples can be a maximum of 20 seconds
- only 4 effects, they're all kind of shitty and only 1 can be applied to each track + the master bus
- up to four tracks but no way to export them separately without just recording them individually one by one despite having a USB port
- no way to export MIDI or CC data
- indecipherable UI because weird display. sample editing especially suffers due to this.
are…are people only buying it because it's pretty to look at? literally the only two positives I can think of are the cherry switches and Lego compliance. for just a little more money you could get an SP404 which blows the KO II out of the water in virtually every metric outside of cosmetics. who is this for? why is it so popular?
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He made British rock a thing years before the Beatles
Quoted By: >>122936330
RIP TUPAC
Quoted By: >>122936920 >>122937346 >>122937625
what's the appeal of this music?