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>remember obscure song from when I was a child >know one line from the song pretty well, other than that my memory is shot >decide to google that line >results are flooded with lyrics from the newest popstar roastie/faggot
>Filled with songs from when he was literally 14-17 years old >Brutally mogged by his vastly superior future releases >2 good tracks Why is this the Aphex Twin album people hold in the highest regard? It feels extremely adolescent.
Why are so many hyperpop/breakcore/webcore/edm etc artists trans, furries edgelords, druggies sexfiends and/or sucidial? Why do so many of them have one or multiple of those characteristics. I'm listening to artists like 100 gecs, Machine Girl, Femtanyl, Sewerslvt, Ada Rook and a few lesser know ones and I'm shocked how many of them are trannies and furries, it's impossible to share my music with except my few friends who also like breakcore. Do any of you have a similar problem?
Why do people like punk music? It's fucking shit. >bands are not skilled at their instruments, a lot of them can't even play adequately >vocals are usually just screaming, there is certainly no "singing" >songs are painfully (or maybe mercifully) short >the recording quality is usually bad, if not absolutely atrocious >there is really nothing artistic about it, it all sounds the same, it all has the same structure and style >subject matter is all the same tired immature cliches >wahh cops bad, wahh white people bad, wahh poor women and minorities, wahh posers bad >honestly fucking cringe, like grow the fuck up lmao youre a grown ass man in a punk band whining about teenager level shit? >all of this is done on purpose Why would you willingly and intentionally listen to punk? Give me actual good reasons or you just look like an asshole honestly
>"I never liked film music very much,” he confessed in a rare interview for a forthcoming biography.
>He added: “Film music, however good it can be – and it usually isn’t, other than maybe an eight-minute stretch here and there … I just think the music isn’t there. That, what we think of as this precious great film music is … we’re remembering it in some kind of nostalgic way …
>“Just the idea that film music has the same place in the concert hall as the best music in the canon is a mistaken notion, I think.”
>He added: “A lot of [film music] is ephemeral. It’s certainly fragmentary and, until somebody reconstructs it, it isn’t anything that we can even consider as a concert piece.”
Why did Williams say this about film music? The Star Wars title theme is harmonically complex and dynamic. It certainly feels "purposeful" when you listen back to it, but I don't think that detracts much from its musical value.